Within the cook dinner (Siddharth Bharathan), the singer finds a companion to trauma-bond with. The cook dinner appears to have been trapped in the identical loop because the singer and they’re successors to dozens of servants who lived and died within the service of the Potti. Given the sorcerer-like powers of the Potti, the singer’s entry into the manor isn’t as unintentional as we’d have felt. It might sound straightforward to enter however unimaginable to depart.
A part of that is due to the best way Potti welcomes the singer into his home. He appears to be above notions of caste or creed when he permits the singer a plate filled with meals, additionally permitting him the “freedom” to be seated on the identical degree as him. It’s nearly as if Potti lures his topics with a false sense of equality after which goes on to lure them along with his trickery. In Potti’s phrases, the age that they’re residing in is past the forces of karma. They appear to exist in Bramayugam, an aberration inside the Kaliyugam wherein God stays absent.
It’s on this context that we are able to take a look at Bramayugam as an allegory on energy and the way it can corrupt completely. The three central characters of the movie really feel like three lessons which might be always at loggerheads with one another. Without delay, we really feel the 2 on the backside of this tower can battle collectively in opposition to the ability that be, however finally, Bramayugam takes a cynical view wherein it’s only a matter of time earlier than energy takes over and corrupts everybody. And if the ending is something to go by, it’s the start of a number of cycles of sophistication wrestle with solely the masters altering over time.